John Mayer – Slow Dancing in a Burning Room Live from WTLI – Guitar lesson with TAB

TopShop · May 16, 2024

John Mayer – Slow Dancing in a Burning Room Live from WTLI – Guitar lesson with TAB

By TopShop Music guitar lesson, guitar tutorial, John Mayer, live, Mayer, onscreen, slow dancing in a burning room, tab, tabulature, where the light is, WTLI 37 Comments

Video Transcript

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[Music] in this video tutorial we’ll be looking at slow dancing in a burning room by John Mayer from the where the light is live concert DVD and for those of you familiar with that footage you might remember the nice clean finger-picked intro thing he kind of does [Music] so I’m going to do that as well but I’m going to throw it on the end as a bonus we’re going to start with the beginning of the song in just a few minutes first off this is in the key of C sharp minor and we know that with a bit of reverse engineering if we do a C sharp minor scale starting at the ninth fret of the low E and then we apply chords to that for a minor chord progression we have C sharp minor D sharp diminished a major F sharp minor D sharp minor a major B major and then back to the C sharp minor and these are the chords we find in a song right off the top and then we have the a to the E later on we have the B back to the C sharp minor and then an F sharp minor so those are the chords and again a lot of the licks or all happen in this very first pentatonic position C sharp minor pentatonic which we’re all familiar with so let’s get started so get a nice clean Strat sound pickups in the first position let’s look at the first two measures starting at 19 with a bit of a pickup on 18 to get us into it [Music] thank you so right off the top we’re on the ninth fret of the a string and we’re going to slide up to 11. and then with that ringing with our first finger we’re going to pick G9 and I like to sound these both at the same time and then our thumb is going to fret the E9 like that there’s a tendency to want a hybrid pick where you pick the note on the a string and then your second finger will pick the G9 you can do that too but mirror picks it all at this point and then we have a little stab on that minor chord we kind of adjust our fingering so that I’m actually on thumb on nine on the E9 third finger is on the d11 and then I’m barring the nine on the G and B strings get a little stab in there and then we do a complex thing and it’s kind of a double stop slide where we’re sliding two different shapes so the first shape is the D9 and the G8 we’re going to slide that up into d11 and then G9 so like that now we’re going to slide it back down really quick they’re kind of Grace note slides very quickly done like that and then it’s double stops on the a11 and d11 and then same thing on the ninth fret and there’s a little open time keeping thing so from the top foreign [Music] we’re going to go do this [Applause] and the complex part there is changing these this a major and this e major with this fingering from suspended second chords to Major chords so we’re going in the context of these two chords I’ll show you what I mean so let’s listen for it thank you and then the E is [Music] is a handful if you’re not used to this kind of stuff mayor seems to do it all the time he’s quite good at it throws it in everywhere so let’s look at that first a chord I’ve got my thumb on the E5 I’m using the open a which you can sound just a doubling of that note pinky on D7 and I’ve got my first finger on G4 and then the second finger is on the B5 [Music] third finger is going to fret the G6 like that so let’s strum that whole thing [Music] and that just turns turns it from an A suspended second to a major that’s that part so and then we hit it as the second Hammer onto the major and then we hit it as a second and then we go into the next chord now this e shape is very nice we’ve got the opening pinky is on A7 first finger is going to be on the D4 and then barring the G4 and then the second finger is on the B5 and our third finger is going to hammer onto the D six from me suspended second to an E major so slow that part [Music] to tell you the truth sometimes he doesn’t really do the full chord like that you can actually get away with for the first one just muting everything and playing the E string and then the G and the B [Music] if you’re really good at muting so I’m muting the fifth string with my thumb the fourth string with my first finger and just hitting three notes [Music] Thanksgiving the whole thing’s giving you trouble and then for the E part we’re gonna go we’re just gonna play the low E open mute the fifth string and then we’ve got the next two strings in the middle bar to the second fret we’re gonna hammer on to the D6 so you can do that but I notice when he’s demonstrating the song in Q and A’s and stuff he will do all yeah the chords will end up having uh four notes all the time instead of three that I just showed so that’s up to you let’s do that whole thing slow from the start foreign [Music] the very first time we open up it’s on the a string from nine to eleven but as we’re closing out the next pickup is on the D string D9 to d11 like that so we open up low and then the next pass is high and we basically do the whole thing over again and continuing with measure 21 with that I’ll just do a little pickup again [Music] so this one is an example measure 21 of where he has the bass note and instead of sounding all the notes on that C sharp minor he’s just muting it all and he does this sometimes so do whatever you want sometimes it’s sounded like this sometimes it’s lifted off and just a muted chunk this part is the same the double stops with the open e and this part is different down here [Music] that part there is we’ve got our thumb on the five muting the fifth string and then our first finger is barred on the two middle strings at the fourth fret and we’re hammering on with our third finger to the D6 as we’re strumming the top four notes of the top four strings and then we’re gonna hit it open and then pinky on A7 and then back open again on The Bard fourth fret middle strings before going into the E slow foreign into this lick and that’s up at the ninth position on the G and B strings we bar those two and we’re going to hammer on on the G string to the eleven and pull off to the nine again move everything up two more strings so we’re working on the two middle strings of the ninth fret same thing so they hammer on pulled off occurs on the D string D9 to 11. so on the G string and B and then move up to the D and that does it for those two measures let’s do that slow [Music] at this point it’s probably a good idea to see what guitar 2 is doing and for measures 22 to 26 guitar tubes doing this [Applause] [Music] [Applause] foreign [Music] [Applause] [Music] so this is kind of fiddly and complicated to call out so I’ll just ask you look at the tab for this where essentially we’re sliding up these little two note double stops and there’s two shapes one example shape would be B16 and e14 and we’re sliding into B17 and e16 [Music] [Applause] and then just alternating between those two shapes so I’m just going to go through it slow and we’re starting at the shape where b14 is the highest note [Applause] foreign that one and then we’re going to slide into it again come back down one more slide and at that point we’re shifting to the G 13 and b12 then we do it all again vibrato is good and then we’re going to go down on that G and B so that’s G13 and 12. G 11 and 10 and then barred on the 9th fret G and B string that’s guitar two uh Robbie McIntosh and on the studio album it’s double tracked with single note guitar doing the Harmony on each side measure 23 24. [Music] so that starts off the root of the chord there on the E9 with the thumb stab it and the lick goes like this so we’re 9 to 11 on the a string and then D9 back to the a11 and we have this little hammer on pull off we’re barring the ninth fret on the G and B and we’re going to go on that g string to the 11 and then pull off from the 11 back to where we were and then landing on the D 11. [Music] and then moving down to the a we do a basic a major we don’t have to worry about that major second we can just do a normal chord like that stack it in the little slash we’re going to hit the root of that on the E5 and then the D7 and then stab it so before going into the E let the end off we do this little so that’s um that little lick is just first finger on the G4 twice on the B5 first finger moves over to the D4 and then pinky on the A7 and that ends it off whole thing slow foreign [Music] [Applause] [Music] context it actually slides in the very next measure [Music] like that so that’s that thing you’ll notice final verses of the intro before we get to the singing stuff uh 25 and 26 taken from that little pickup measure [Music] and that gets into that singing part it’s just so slow we’re coming off that sliding and we’re basically sliding up into the d11 stabbing the chord we do this so it’s barring with the ninth fret first finger on the G and B string we’re going to hammer on to the G11 and then left off and just hit the barred strings at the ninth fret move it up one string towards you and we’re gonna go so that’s a hammer on from D9 to d11 and then lift off and just hit the two middle strings barred at the ninth and then this part we’re doing that same thing we’ve got our thumb on the fifth string we’re we’re using the A and we’re going to Bar at the fourth fret two middle strings and do a hammer on to the D6 and then lift off just hit them like that so bass note and then two barred notes at the fourth fret going to the pinky on the a seven this time we’re going to hit an a major chord and then go right into the then we’re gonna holding this chord we’re going to arpeggiate these notes like and at this point that chord we’re holding is the E so it’s the uh pinky on the a seven third finger on the D6 first finger is on the G4 and our second finger is on the B5 but we don’t really play it we’re just going to start at that um g string and just come up towards yourself and then start over again back down one so it’s [Music] and then we’re into the singing part one more time on a slow [Music] [Music] first one starts at measure 27 and there’s a couple differences and let’s just work through the first four measures and I’ll discuss them you can decide if you want to do them [Music] foreign so one of the things that you see in this measure is this new lick so we’ve seen that variation of it it’s a A9 hammer on to 11. back to a 11 and then that barring of the ninth fret G and B hammer on to G11 to 9 and then d11 sliding down into the a which is appreciated and then into the E and in this case we’re [Applause] so we’re arpeggiating that E chord from the D D6 to place and then our third finger is sliding up into that d11 so there’s two things the new lick and this thing where we’re ending off that E chord by arpeggiating some of the notes and rushing into that next note for the beginning of the next measure so that happens twice in this song So this lick is the same for those first two measures 27 and 29 and then you’re ending off on the E and you can arpeggiate it anywhere you want he does it differently each time but you’ll notice that the first two passes he rushes it to get in to rush this little intro pickup measures 31-34 are also very similar not a lot of change but measure 34 just before we get into the chorus sounds like this [Music] record I’m taking my pinky and I’m putting it on the B7 before transitioning to the E and then arpeggiating just a couple notes in there and then we take a little bit of a pause before transitioning into the chorus measure 35 is chorus number one and we’re introducing some new chords we’ve got this nice B chord and all of them have open strings now we’re letting the IE and sometimes the open B Rings this is the B and then we’ve got the C sharp minor and then an A and we’re letting the B and the E strings ring and then finally to end off we’ve got this F sharp minor [Music] so let’s look at what that sounds like the first four measures of the chorus foreign [Applause] so we’ve got that B chord let’s just take a look at that we’ve got our thumb on E7 muting the next string and then starting on the D I got nine eight seven three fingers all stacked and the high e is happening and my pinky is ready to do something here so we’re gonna go on that and I’m hammering on with the pinky at the B9 so from the top there [Music] so I’m lifting off and hammering on that pinky just try and fall along in the tab in this [Music] [Applause] [Music] what’s kind of unusual is I’ve notated the chord change happening a bit earlier he goes to that C sharp minor on an upstroke and he’s staying there for the next part [Music] [Applause] so that’s the next measure it’s [Music] [Applause] so that’s the first part of the chorus let’s just go through it slow [Music] [Applause] so the next part of the chorus same for the B chord but the rhythm’s slightly different we do this [Music] one strum of the the F sharp minor and then coming up on the open e and B’s so the rhythmic variation I mentioned for that B chord instead of going it starts off with a very small difference but I really like it so the second part of that [Music] [Applause] and we’re leaving that measure by doing the C sharp minor chord early on an upstroke and we go all the way back down to the F sharp and what we’re doing there is we’ve got our thumb on the two on the low E muting the next string and then four on the D two on the G and then B and once we wait a whole bunch of time and then we kind of come up on the bottom two notes and that’s how that ends so I’m going to play through both of those moderately to speed [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] foreign that part in the song where you got to come up on those two it ends off by going up to the C sharp minor and we’re doing a small variation of that chord now we’ve got our pinky on the B12 and we go [Applause] [Music] [Applause] [Music] so just to follow that up we’re just going to be on the sharp minor but instead of the old fingering we’ve got uh 9 11 on the D nine on the G pinky on the B12 and we’re going to hit it and we’re going to come down and lift the pinky off and then the second finger goes to B10 and then lift off the B10 to have the bar at the ninth fret and then we’re going to take our third finger go to the a11 slide down into the A and then e and the whole thing off we’re preparing for the next measure with that little pickup it’s a slide from A9 and then D9 to 11 and we’re into the next verse this is 41 to 44 or an instrumental pass just for verse 2. [Music] starts off since before I’ve seen that look before we get to the a it’s into the E so it’s one two three four e and then there’s this beautiful run up so that’s on the D6 and then the G4 and then seven six four on the D landing on the A7 and then sliding into the E9 to start off that next part you can actually rake into that I like that and then pull off before you land you do all kinds of little things little trolls Emerald Bluffs and then the next part has this lick [Music] Panera’s barring with the first finger on the third fret bottom three strings we’re going to do a hammer on pull off on the B string 9 to 12. and then we’ve got the first finger already on the G9 we’re going to bend that up like that and then land on the d11 and then first finger barring the ninth fret two middle strings we’re going to do a hammer on on the D to the 11 pull off and then we’re going to do this on the a so that’s sliding from a11 to 9 and pulling off from nine to seven slow foreign [Music] [Applause] thing there it’s uh this is the fingering for the second to measure third that we talked about and what he ends up doing after he hits that E chord as he goes um so we’re lifting off to get the D4 we’re going to hit the B5 and then we’re hammering on to the D6 and we’re going to hit the G4 and then twice on the chord and then two muted strums so you don’t have to do that exactly like that these are just little ideas you can mine from this is 45 to 52 are verse 2 and there’s a couple of variations let’s just go over those if you want to include them in your version [Music] thank you foreign [Music] on from the A9 to 11 and then nine nine on the next two strings and then hammering on from the G9 to 11 and pulling them back off again and then nine on the D and then 11 on the a so that’s you hear that three times in verse two and then down here when we go to the A [Music] pinky on the B8 we hit the A and then we have the pinky come down on the B8 this note before going into the E so it’s either or [Music] fat and we arpeggiate a couple times and then slide up into the d11 kind of as a precursor like we did before eat that [Applause] [Music] and then this part is new this is the lyric make most of all the sadness [Music] so what’s going on there is we’re going back to the intro where we have those two double stops the one at D9 G8 and then d11 G9 and we’re gonna go just between those like that I’m going to pick down up down up down up like that [Music] and then we’re gonna go that’s how we get out of it that is d11 D9 a11 so back into the age and then this is a slight variation as well we’re going to put our pinky on the B12 and do that C sharp minor [Music] so that’s that’s a departure instead of the we got a pinky out on the B12 and we’re going to go [Music] before going into the lick and then they into the internet so I really like this part so that’s definitely worth including so these are a couple variations that you can chuck in if you want to in verse two measures 53 to 58 or chorus too very very similar [Music] slightly different strumming pattern [Music] so mayor is making all these strumming patterns up as he goes but the one difference here is on that F sharp minor we actually hit that four times [Music] that’s one thing and then this part is to end it off so he just kind of you know goes on autopilot with a lot of these strums because he’s singing so you can kind of go through and pick out the variations that you want to play around with measures 59 and 62 are Solo number one so get a dirty sound on we’re still in the first position pickup sounds like this [Music] [Applause] [Music] so we’re starting with a hammer on from 9 to 12 on the B and then we move to the 14th fret of the B and bend it up take it back down give it some vibrato then we’re going to move to the ninth fret do the same thing so that’s [Music] then we’re on the G11 we do this so we’re bending that G11 up a full step leaving it there hitting B12 and then taking that pre-bent g 11 down back into the nine and we repeat that again before sliding in from nine to eleven eight and then the next part of the lick is so that’s just all between the 9th and 12th Frets on the B and E what’s on the B9 and then the B12 bend that up a little bit and then E9 and then bend that E12 up and that turns into this look we do two of those so we’re doing there is we’re bending up that E12 and coming down on the ninth fret on the high e and then the V and then repeating it you do that twice before bending at a full Step at the high e and then hitting an unbent then we’d go into this [Music] more so we’re doing this little kind of run down it’s on the E9 pull off from 12 to 9. and then we’re doing some bending on the G11 [Music] probably easier to follow in the tab and there’s actually an open d That’s hit there but it’s it feels natural to land on that d11 but instead he does an open D so do what you want there now we do this double stop that is on the G11 and b12 sliding up two Frets twice bringing it back down and then with the third finger we’re gonna go back to the G9 and then we’re going to end off with a slide down on that E12 actually this part here you can do a finger substitution slide down with the first finger delete the third finger better position to do that so that’s a mouthful let’s just do that slow and you can follow along on the tab [Music] the bridge is measured 63 to 70 and we’re going to be going between the F sharp minor variation to the C sharp minor to the B back down to the F sharp minor for the first part it sounds like this [Music] foreign [Music] thank you so it’s more or less like that slight variations when you get to that B chord so we’ve got the F sharp minor shape we’ve got the thumb on the second fret muting the fifth and then starting at the D we’re four two and then open it goes like this foreign strings in there the three top strings open so [Music] that’s the first part [Music] and the C sharp minor shape is the same kind of fingering where nine on the low E and then we’re starting at the D 11 9 and then open there and more time now we move down to the B and the shape’s a bit different we’re seven on the root mute the fifth and then we’re nine eight open open and it’s like [Applause] before going back down to the f sharp minor and then after that we hit that we’re going to arpeggiate in the middle twice so uh foreign just cycle that part a couple times [Music] [Applause] [Music] so that’s um that’s that part there’s a couple things where you go into the b instead of going you can go really it’s different every time eh it’s time here so do what you want with it’s a very nice expressive part the open strings really make it cool so you do that three times until we get into this uh a and we climb up to the B and then the C sharp minor and then we are into the burning room part all right so that part we’ve seen before so just remember we’re on the C sharp minor to end it off [Music] [Applause] that is the bridge measure 71 to 78 are the outro and it’s just this modified C sharp minor chord we’ve got the pinky on the 12th right here and it’s just [Music] time [Music] is strumming [Music] and while that’s going on guitar 2 is going [Music] and we’re wrapping up for the big solo 2 outro there’s 79 as the start of solo 2 the outro solo let’s look at the two measures at a time we’ll play it performance speed and then I’ll slow it down [Music] thank you and it’s probably better if you just follow along in the tab as I do it slowly I’ll call it a couple road maps first thing is we’re sliding down into this Bend at the 12th fret of the B so that’s on the G sliding down from 13 to 11 and then pulling off to nine and then bending on the B12 do that twice we do this [Music] I actually do a little Bend there but on the tab I think we have a Glide up and down so [Music] we do this very strange kind of slide up on the a string two six [Music] eleven and we do this little rake on the ninth fret so we’re barring the D9 all the way down and we hit those three strings and we hammer on on the B 12 and then come back with 9 11 on the high e [Music] so let’s do the whole thing slow [Music] foreign [Music] [Applause] [Music] [Applause] [Music] so that’s a repeating lick on the E11 where we’re bending it up and returning to pitch and then picking the nine and then coming down also on the B 12 and 9. so the repeating look is like this [Applause] and we’re actually doing a little upstroke on the two open strings in the middle just to reorient the pick for a rake into the next one [Applause] [Music] to reorient for uh [Music] [Applause] so you hear this like [Music] that kind of thing you hear that in some of the mirrors fast licks it’s happening so quick you almost don’t hear that but that’s what he’s doing he’s reoranting and then we start climbing up the E string we go to the 12th and then bending and then we’re up on the e14 [Music] . Randolph like that one more time slow all right foreign [Applause] [Music] [Applause] [Applause] we’re timing on that one [Music] [Applause] oh one more time [Applause] [Music] [Applause] [Music] [Music] measures 85 and 86. [Music] slow [Music] oh [Music] one more time [Music] measures 87 and 88. [Applause] [Music] you remember those little pick Direction changing upstrokes before the downstroke break those are important let’s do that slow [Music] there it is [Music] so don’t forget those it’s good to start doing that off the top or thinking about it it’s actually something you don’t think about when you start doing it but when you’re learning it it’s good to know it’s there [Music] [Applause] [Music] because there’s 89 and 90. slow [Music] and off with three on the B17 one more time slow [Music] [Applause] this is 91 and 92 with a tail end of measure 90 just to keep the idea together here’s a series of parallel octaves foreign [Music] octave is where you’ve got in this case a note on the D16 and the B 19 same note it’s an octave that is a f sharp and we’re skipping over the middle string and you can kind of move it around like a chord and it’s non-descript it’s neither a minor nor major and sounds kind of cool Wes Montgomery is very popular with for this technique and mirror does a lot of it in this particular concert so here it is slow and we’re starting on the with our first finger on the d 16 and our pinky is on the B 19. [Music] foreign [Music] so we’re doing the parallel octaves and then we’re going into some single note bends and things like that one more time [Music] I’m running off the double stop on the g16 and the b17. measures 93 and 94 continuing with parallel octaves [Music] ending with a [Music] so I’m kind of over over emphasizing those pickory orientations on the bends like thank you just one more time slow [Music] now we’re coming upon that very recognizable actual Melody so these are measures 95 96 tail ended 94 to keep the idea all in one big chunk and he’s actually duetting with the second guitarist they’re both harmonizing each other I’m just going to show the Mirror part but the Robbie McIntosh part is in the tab foreign [Music] so it starts with a and it ends with a and in between we have a very recognizable Melody starting on the 14th fret of the B all of this is on the B string [Music] take it down hit it bent and take it down slide to 14. and then sliding from 12 to 14. sliding back to 12. and then landing on the B9 it’s a lot of vibrato now in the studio track there’s some very [Music] evident hammer-ons but this first pass he just slides everywhere so you can pick one and do whatever you want one more time slow [Music] measures 97 and 98. [Music] so that is uh neat because it has a double Bend in it so we’re on the b14 it’s B16 and then we take our first finger we put it on the E12 and we’ve got the B16 and the E12 we’re going to bend the B string up a half step [Music] so the pitches match and we go we do this [Music] and then we do this big slur on on the string we’re sliding into B9 from Seven hammer on pull off on the B12 back to the B7 and then we bend that B7 up a bit and then go down to the B5 [Music] and then we climb up and start the next one so the whole thing’s slow [Music] measures 99 and 100 [Music] foreign [Music] don’t forget those where where they happen so the timing on this is a bit different [Music] kind of leave it hanging out there [Music] and there’s an upstroke pick reorientation to do a downstroke on the hammer on and then just slide down to 12 and I One More Time slow [Music] foreign [Music] measure 100 101 all the way to the end he does this [Music] [Applause] [Music] foreign lots of slurry stuff there so it’s the same old but this time there’s some aggressive straw like muted strums [Music] and then we’re like basically sliding in from B7 to nine hammeron pull off on the B12 back to that B7 then we kind of bend it up a bit and then we do this pretty complicated fast slur [Music] five might be easier just to follow through on the tab because it’s so fast and it’s hard to kind of convey what’s going on but we’re hammering on pulling off and sliding starting on the B5 to seven to 9 up to 12 and then seven to nine and then we’re on the G string on the fourth fret ending on the G1 and then in the background you hear like a low E and a very high E chord to finish it off and the band is done at that point one more time that big funny slur [Music] foreign if you’re interested in that chord intro he does stick around I’m going to throw that on after this so this chord solo that you see in the DVD video footage is just made up improvised and it’s kind of disjointed but it gets into some grooves sometimes so I’m just going to teach it in two measure chunks I’ll play it fast and then slow and you can kind of pick it up from the tab it starts off like this measure one oh [Music] so slow [Music] measures three and four and we’re switching really quickly from the pick to just fingers so Stow your pick away however you want to do it foreign [Music] foreign foreign [Music] foreign [Music] [Applause] now I think this part he started going in One Direction and changed his mind halfway through because it’s [Music] one more time foreign [Music] and ten and I’ll throw in that little pickup from the last measure [Music] so that’s [Music] one more time [Music] measures 11 and 12. [Music] slow foreign [Music] [Music] little leading node in the E5 here slow [Music] [Applause] [Music] [Music] measures 15 and 16. [Music] all that is is the a broom handle grip pinky is going to hammer on on the B7 and then we move to the E get that low E in there and then the next time we just hit it like this same thing [Music] and then you’re done if you stuck around this far congratulations not too many people make it to the end I hope you enjoyed the additional chord solo intro from the live DVD and we’ll see you on the next tutorial

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Must-Have Rock Albums

Update your rock collection with these recent releases:

Foo Fighters – “Medicine at Midnight”: Experience the raw power and emotion of one of rock’s greatest bands.
Green Day – “Father of All…”: Feel the punk rock energy and catchy tunes.
The Killers – “Imploding the Mirage”: Enjoy the perfect blend of rock and synth-pop.

Southern Rock: A Fusion of Rock and Country

Southern Rock News You Need to Know

Stay in the loop with the latest in southern rock:

New Collaborations: Find out about exciting collaborations between Southern rock artists and other genres.
Tour Dates: Mark your calendar with upcoming tour dates and venues.
Emerging Artists: Discover new Southern rock bands that are redefining the genre.

Energizing Southern Rock Videos

Southern rock videos that bring the heat:

Performance Videos: Watch your favorite bands perform live and feel the energy.
Concept Videos: Enjoy creative music videos that showcase the unique Southern rock sound from bands like Whiskey Myers.

Latest Southern Rock Albums

Don’t miss these top Southern rock albums:

Lynyrd Skynyrd – “Last of the Street Survivors”: Relive the glory days with new tracks from the legends.
Blackberry Smoke – “You Hear Georgia”: Savor the blend of rock and country influences.
The Marcus King Band – “El Dorado”: Dive into soulful melodies and powerful lyrics.

Today’s Hits: The Soundtrack to Your Active Lifestyle

Current Music Trends

Stay updated with the latest trends in popular music:

Chart-Toppers: Discover the songs dominating the charts right now.
Genre-Blending: Explore how artists are blending genres to create fresh new sounds.
Music Awards: Keep up with the latest award shows and winners.

New Albums to Add to Your Playlist

Refresh your music library with these trending albums:

Dua Lipa – “Future Nostalgia”: Dance to the infectious beats and retro vibes.
The Weeknd – “After Hours”: Enjoy the dark, moody tracks that are perfect for any mood.
Taylor Swift – “Evermore”: Immerse yourself in the lyrical storytelling and rich melodies.

Support Your Favorite Artists with Top Brand Clothing

While enjoying the best music, why not also gear up in style? Top Brand Clothing offers high-quality activewear that supports your favorite artists and keeps you comfortable during workouts.

Why Choose Top Brand Clothing?

Premium Quality: Made from durable, breathable fabrics that stand up to intense workouts.
Comfort and Fit: Designed for optimal comfort and a flattering fit.
Stylish Designs: Trendy activewear that looks great both in and out of the gym.

Top Brand Clothing Products We Recommend

Yoga Sets: Perfect for flexibility training and low-impact workouts.
Activewear: Versatile pieces for all types of exercise.
Athletic Shorts: Stay cool and comfortable during high-intensity sessions.
Sports Bras: Provides the support you need for any activity.
Swimwear: Swim into summer with a great new bikini to show your style.

Get Started with MusicMax Today!

At MusicMax, we are passionate about bringing you the best in music news, videos, and album releases. Whether you’re into country, rock, southern rock, or today’s hits, we have something for everyone. Plus, with Top Brand Clothing’s activewear, you can support your favorite artists while staying active and stylish.

Who Am I?

Hello, I’m Chris, the founder of MusicMax. I’ve been a music enthusiast all my life, and I understand the power of a great playlist to motivate and inspire. I started MusicMax to create a community where music lovers like you can find the latest news, discover new artists, and stay energized with the best workout tunes. Join us today and be a part of the MusicMax family!

Don’t wait—explore our site, update your playlist, and gear up with Top Brand Clothing to make every workout a musical journey. Let the rhythm move you and transform your fitness routine with the power of music!

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John Mayer – Slow Dancing in a Burning Room Live from WTLI – Guitar lesson with TAB